Josephine the Songstress
by Franz Kafka
But it's precisely in such moments as these with this spectacle before us, it's then that we contrarians-and we're the first to admit our contrari-ness-it's now that we can't help but to remark to one another: She can't even manage to whistle decently, just look at how she winds herself into knots and not that she'd be singing-let's not talk about song-but just so that she might force out a smidgen of piping, the regular sort of whistling that's heard even in the most rustic parts of our homeland. So it seems to us, but, as I already mentioned, this is simply a momentary impression and one that is a necessary preamble but also one that passes very quickly. Already we're being enveloped by the receptive feelings of the multitude, the warmth of the crowd with one body pressed up upon the next, all so timid and listening in rapt attention and with bated breath. And that a crowd gather, us-we whose lives are always being thrown about this way and that, always in a great rush to get somewhere, though not that we'd have any clear conception as to what all the ruckus really means-and all that Josephine generally needs to do is throw back her head, open up her little mouth halfway, her eyes resting upon some visage up in the heights and, so, she assumes her stance that announces to us that now she's ready to sing. She can do this wherever she likes, it doesn't have to be in a spot that's particularly accessible, any hide-away will do, some corner that she's picked out just as her mood strikes her, some spur of the moment decision, any spot is as good as the next. The news that she's ready to sing travels fast and in no time the procession of listeners is streaming in. Now from time to time, indeed, there are hindrances that crop up; it's during times of calamity that Josephine loves to sing most of all and it's even then that our cares and urgent concerns become as wide-ranging as they can be and they drive us into paths that are utterly diverse; even with the best of wills it's not always possible to assemble a crowd on a moment's notice in accordance to Josephine's mood and, so, she's left standing there in her great pose for a longer period without having a sufficient audience... then, indeed, then she becomes enraged, livid-she'll start stamping her feet and cursing, the things that she says! unladylike in the extreme, indeed, she even bites. But, all the same, even this doesn't wreck havoc on her reputation, rather than try to talk sense into her every-one does their utmost to fulfill her expectations, messengers are dispatched to expedite the gathering of an audience; but this isn't done openly, it's all kept hush-hush, one notices that sentries have been posted at various intersections and these clever accomplices have a special way of winking at you-that you'd better get moving a bit quicker-and all of this happens behind the scenes until finally a sufficient crowd has come together.