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The Metamorphosis

by Franz Kafka

Only with his final glance did he notice how the door of his room was pulled open and how, right in front of his sister (who was yelling), his mother ran out in her undergarments, for his sister had undressed her in order to give her some freedom to breathe in her fainting spell, and how his mother then ran up to his father, on the way her tied up skirts one after the other slipped toward the floor, and how, tripping over her skirts, she hurled herself onto his father and, throwing her arms around him, in complete union with him—but at this moment Gregor’s powers of sight gave way—as her hands reached to the back of his father’s head and she begged him to spare Gregor’s life.

Gregor’s serious wound, from which he suffered for over a month (since no one ventured to remove the apple, it remained in his flesh as a visible reminder), seemed by itself to have reminded the father that, in spite of his present unhappy and hateful appearance, Gregor was a member of the family, something one should not treat as an enemy, and that it was, on the contrary, a requirement of family duty to suppress one’s aversion and to endure—nothing else, just endure. And if through his wound Gregor had now apparently lost for good his ability to move and for the time being needed many many minutes to crawl across this room, like an aged invalid (so far as creeping up high was concerned, that was unimaginable), nevertheless for this worsening of his condition, in his opinion, he did get completely satisfactory compensation, because every day towards evening the door to the living room, which he was in the habit of keeping a sharp eye on even one or two hours beforehand, was opened, so that he, lying down in the darkness of his room, invisible from the living room, could see the entire family at the illuminated table and listen to their conversation, to a certain extent with their common permission, a situation quite different from what happened before.

Of course, it was no longer the animated social interaction of former times, about which Gregor in small hotel rooms had always thought about with a certain longing, when, tired out, he had to throw himself in the damp bedclothes. For the most part what went on now was very quiet. After the evening meal the father fell asleep quickly in his arm chair; the mother and sister talked guardedly to each other in the stillness. Bent far over, the mother sewed fine undergarments for a fashion shop. The sister, who had taken on a job as a salesgirl, in the evening studied stenography and French, so as perhaps later to obtain a better position. Sometimes the father woke up and, as if he was quite ignorant that he had been asleep, said to the mother ‘How long you have been sewing today!’ and went right back to sleep, while the mother and the sister smiled tiredly to each other.

With a sort of stubbornness the father refused to take off his servant’s uniform even at home, and while his sleeping gown hung unused on the coat hook, the father dozed completely dressed in his place, as if he was always ready for his responsibility and even here was waiting for the voice of his superior. As result, in spite of all the care of the mother and sister, his uniform, which even at the start was not new, grew dirty, and Gregor looked, often for the entire evening, at this clothing, with stains all over it and with its gold buttons always polished, in which the old man, although very uncomfortable, slept peacefully nonetheless.

Page 28 of 41
  • Biography
  • Works:
    • The Trial (152 pages)
    • The Metamorphosis (41 pages)
    • Before the Law (2 pages)
    • In the Penal Colony (23 pages)
    • A Hunger Artist (8 pages)
    • Jackals and Arabs (3 pages)
    • A Report for An Academy (8 pages)
    • A Country Doctor (5 pages)
    • An Imperial Message (1 pages)
    • The Judgement (9 pages)
    • The Great Wall of China (11 pages)
    • The Hunter Gracchus (4 pages)
    • Up in the Gallery (1 pages)
    • Josephine the Songstress (20 pages)
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