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The Metamorphosis

by Franz Kafka

He scarcely wondered about the fact that recently he had had so little consideration for the others; earlier this consideration had been something he was proud of. And for that very reason he would’ve had at this moment more reason to hide away, because as a result of the dust which lay all over his room and flew around with the slightest movement, he was totally covered in dirt. On his back and his sides he carted around with him dust, threads, hair, and remnants of food. His indifference to everything was much too great for him to lie on his back and scour himself on the carpet, as he often had done earlier during the day. In spite of his condition he had no timidity about inching forward a bit on the spotless floor of the living room.

In any case, no one paid him any attention. The family was all caught up in the violin playing. The lodgers, by contrast, who for the moment had placed themselves, their hands in their trouser pockets, behind the music stand much too close to the sister, so that they could all see the sheet music, something that must certainly bother the sister, soon drew back to the window conversing in low voices with bowed heads, where they then remained, worriedly observed by the father. It now seemed really clear that, having assumed they were to hear a beautiful or entertaining violin recital, they were disappointed, and were allowing their peace and quiet to be disturbed only out of politeness. The way in which they all blew the smoke from their cigars out of their noses and mouths in particular led one to conclude that they were very irritated. And yet his sister was playing so beautifully. Her face was turned to the side, her gaze followed the score intently and sadly. Gregor crept forward still a little further and kept his head close against the floor in order to be able to catch her gaze if possible. Was he an animal that music so seized him? For him it was as if the way to the unknown nourishment he craved was revealing itself to him. He was determined to press forward right to his sister, to tug at her dress and to indicate to her in this way that she might still come with her violin into his room, because here no one valued the recital as he wanted to value it. He did not wish to let her go from his room any more, at least not as long as he lived. His frightening appearance would for the first time become useful for him. He wanted to be at all the doors of his room simultaneously and snarl back at the attackers. However, his sister should not be compelled but would remain with him voluntarily; she would sit next to him on the sofa, bend down her ear to him, and he would then confide in her that he firmly intended to send her to the conservatory and that, if his misfortune had not arrived in the interim, he would have declared all this last Christmas (had Christmas really already come and gone?), and would have brooked no argument.

Page 34 of 41
  • Biography
  • Works:
    • The Trial (152 pages)
    • The Metamorphosis (41 pages)
    • Before the Law (2 pages)
    • In the Penal Colony (23 pages)
    • A Hunger Artist (8 pages)
    • Jackals and Arabs (3 pages)
    • A Report for An Academy (8 pages)
    • A Country Doctor (5 pages)
    • An Imperial Message (1 pages)
    • The Judgement (9 pages)
    • The Great Wall of China (11 pages)
    • The Hunter Gracchus (4 pages)
    • Up in the Gallery (1 pages)
    • Josephine the Songstress (20 pages)
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