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The Trial

by Franz Kafka

So on Sunday, he set out once more in the same direction, going without hesitation up the steps and through the corridors; some of the people remembered him and greeted him from their doorways, but he no longer needed to ask anyone the way and soon arrived at the right door. It was opened as soon as he knocked and, paying no attention to the woman he had seen last time who was standing at the doorway, he was about to go straight into the adjoining room when she said to him "There's no session today". "What do you mean; no session?" he asked, unable to believe it. But the woman persuaded him by opening the door to the next room. It was indeed empty, and looked even more dismal empty than it had the previous Sunday. On the podium stood the table exactly as it had been before with a few books laying on it. "Can I have a look at those books?" asked K., not because he was especially curious but so that he would not have come for nothing. "No," said the woman as she re-closed the door, "that's not allowed. Those books belong to the examining judge." "I see," said K., and nodded, "those books must be law books, and that's how this court does things, not only to try people who are innocent but even to try them without letting them know what's going on." "I expect you're right," said the woman, who had not understood exactly what he meant. "I'd better go away again, then," said K.

"Should I give a message to the examining judge?" asked the woman. "Do you know him, then?" asked K. "Of course I know him," said the woman, "my husband is the court usher." It was only now that K. noticed that the room, which before had held nothing but a wash-tub, had been fitted out as a living room. The woman saw how surprised he was and said, "Yes, we're allowed to live here as we like, only we have to clear the room out when the court's in session. There's lots of disadvantages to my husband's job." "It's not so much the room that surprises me," said K., looking at her crossly, "it's your being married that shocks me." "Are you thinking about what happened last time the court was in session, when I disturbed what you were saying?" asked the woman. "Of course," said K., "it's in the past now and I've nearly forgotten about it, but at the time it made me furious. And now you tell me yourself that you are a married woman." "It wasn't any disadvantage for you to have your speech interrupted. The way they talked about you after you'd gone was really bad." "That could well be," said K., turning away, "but it does not excuse you." "There's no-one I know who'd hold it against me," said the woman. "Him, who put his arms around me, he's been chasing after me for a long time. I might not be very attractive for most people, but I am for him. I've got no protection from him, even my husband has had to get used to it; if he wants to keep his job he's got to put up with it as that man's a student and he'll almost certainly be very powerful later on. He's always after me, he'd only just left when you arrived." "That fits in with everything else," said K., "I'm not surprised.

Page 33 of 152
  • Biography
  • Works:
    • The Trial (152 pages)
    • The Metamorphosis (41 pages)
    • Before the Law (2 pages)
    • In the Penal Colony (23 pages)
    • A Hunger Artist (8 pages)
    • Jackals and Arabs (3 pages)
    • A Report for An Academy (8 pages)
    • A Country Doctor (5 pages)
    • An Imperial Message (1 pages)
    • The Judgement (9 pages)
    • The Great Wall of China (11 pages)
    • The Hunter Gracchus (4 pages)
    • Up in the Gallery (1 pages)
    • Josephine the Songstress (20 pages)
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