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The Trial

by Franz Kafka

"There are so many people who have connections with the court!" said K. with lowered head, and he led the manufacturer over to his desk. They sat down where they had been before, and the manufacturer said, "I'm afraid it's not very much that I've got to tell you about. Only, in matters like this, it's best not to overlook the tiniest details. Besides, I really want to help you in some way, however modest my help might be. We've been good business partners up till now, haven't we? Well then." K. wanted to apologise for his behaviour in the conversation earlier that day, but the manufacturer would tolerate no interruption, shoved his briefcase up high in his armpit to show that he was in a hurry, and carried on. "I know about your case through a certain Titorelli. He's a painter, Titorelli's just his artistic name, I don't even know what his real name is. He's been coming to me in my office for years from time to time, and brings little pictures with him which I buy more or less just for the sake of charity as he's hardly more than a beggar. And they're nice pictures, too, moorland landscapes and that sort of thing. We'd both got used to doing business in this way and it always went smoothly. Only, one time these visits became a bit too frequent, I began to tell him off for it, we started talking and I became interested how it was that he could earn a living just by painting, and then I learned to my amazement that his main source of income was painting portraits. 'I work for the court,' he said, 'what court?' said I. And that's when he told me about the court. I'm sure you can imagine how amazed I was at being told all this. Ever since then I learn something new about the court every time he comes to visit, and so little by little I get to understand something of how it works. Anyway, Titorelli talks a lot and I often have to push him away, not only because he's bound to be lying but also, most of all, because a businessman like me who's already close to breaking point under the weight of his own business worries can't pay too much attention to other people's. But all that's just by the by. Perhaps - this is what I've been thinking - perhaps Titorelli might be able to help you in some small way, he knows lots of judges and even if he can't have much influence himself he can give you some advice about how to get some influential people on your side. And even if this advice doesn't turn out to make all the difference I still think it'll be very important once you've got it. You're nearly a lawyer yourself. That's what I always say, Mr. K. the chief clerk is nearly a lawyer. Oh I'm sure this trial of yours will turn out all right. So do you want to go and see Titorelli, then? If I ask him to he'll certainly do everything he possibly can. I really do think you ought to go. It needn't be today, of course, just some time, when you get the chance. And anyway - I want to tell you this too - you don't actually have to go and see Titorelli, this advice from me doesn't place you under any obligation at all.

Page 90 of 152
  • Biography
  • Works:
    • The Trial (152 pages)
    • The Metamorphosis (41 pages)
    • Before the Law (2 pages)
    • In the Penal Colony (23 pages)
    • A Hunger Artist (8 pages)
    • Jackals and Arabs (3 pages)
    • A Report for An Academy (8 pages)
    • A Country Doctor (5 pages)
    • An Imperial Message (1 pages)
    • The Judgement (9 pages)
    • The Great Wall of China (11 pages)
    • The Hunter Gracchus (4 pages)
    • Up in the Gallery (1 pages)
    • Josephine the Songstress (20 pages)
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