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The Trial

by Franz Kafka

This was a convenient coincidence for K., it gave him a good opportunity to talk about the court as the picture showed, very clearly, a judge. What's more, it was remarkably similar to the picture in the lawyer's office, although this one showed a quite different judge, a heavy man with a full beard which was black and bushy and extended to the sides far up the man's cheeks. The lawyer's picture was also an oil painting, whereas this one had been made with pastel colours and was pale and unclear. But everything else about the picture was similar, as this judge, too, was holding tightly to the arm of his throne and seemed ominously about to rise from it. At first K. was about to say, "He certainly is a judge," but he held himself back for the time being and went closer to the picture as if he wanted to study it in detail. There was a large figure shown in middle of the throne's back rest which K. could not understand and asked the painter about it. That'll need some more work done on it, the painter told him, and taking a pastel crayon from a small table he added a few strokes to the edges of the figure but without making it any clearer as far as K. could make out. "That's the figure of justice," said the painter, finally. "Now I see," said K., "here's the blindfold and here are the scales. But aren't those wings on her heels, and isn't she moving?" "Yes," said the painter, "I had to paint it like that according to the contract. It's actually the figure of justice and the goddess of victory all in one." "That is not a good combination," said K. with a smile. "Justice needs to remain still, otherwise the scales will move about and it won't be possible to make a just verdict." "I'm just doing what the client wanted," said the painter. "Yes, certainly," said K., who had not meant to criticise anyone by that comment. "You've painted the figure as it actually appears on the throne." "No," said the painter, "I've never seen that figure or that throne, it's all just invention, but they told me what it was I had to paint." "How's that?" asked K. pretending not fully to understand what the painter said. "That is a judge sitting on the judge's chair, isn't it?" "Yes, " said the painter, "but that judge isn't very high up and he's never sat on any throne like that." "And he has himself painted in such a grand pose? He's sitting there just like the president of the court." "Yeah, gentlemen like this are very vain," said the painter. "But they have permission from higher up to get themselves painted like this. It's laid down quite strictly just what sort of portrait each of them can get for himself. Only it's a pity that you can't make out the details of his costume and pose in this picture, pastel colours aren't really suitable for showing people like this." "Yes," said K., "it does seem odd that it's in pastel colours." "That's what the judge wanted," said the painter, "it's meant to be for a woman.

Page 97 of 152
  • Biography
  • Works:
    • The Trial (152 pages)
    • The Metamorphosis (41 pages)
    • Before the Law (2 pages)
    • In the Penal Colony (23 pages)
    • A Hunger Artist (8 pages)
    • Jackals and Arabs (3 pages)
    • A Report for An Academy (8 pages)
    • A Country Doctor (5 pages)
    • An Imperial Message (1 pages)
    • The Judgement (9 pages)
    • The Great Wall of China (11 pages)
    • The Hunter Gracchus (4 pages)
    • Up in the Gallery (1 pages)
    • Josephine the Songstress (20 pages)
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