The Trial

K. did no more that glance at any of these things, he wanted to get things over with here as soon as possible, to exchange just a few words to find out how things stood with the painter and go straight back to the bank. Even if he had just some tiny success here it would still have a good effect on his work at the bank for that day. On the third floor he had to slow down his pace, he was quite out of breath - the steps, just like the height of each floor, were much higher than they needed to be and he'd been told that the painter lived right up in the attic. The air was also quite oppressive, there was no proper stairwell and the narrow steps were closed in by walls on both sides with no more than a small, high window here and there. Just as K. paused for a while some young girls ran out of one of the flats and rushed higher up the stairs, laughing. K. followed them slowly, caught up with one of the girls who had stumbled and been left behind by the others, and asked her as they went up side by side, "Is there a painter, Titorelli, who lives here?" The girl, hardly thirteen years old and somewhat hunchbacked, jabbed him with her elbow and looked at him sideways. Her youth and her bodily defects had done nothing to stop her being already quite depraved. She did not smile once, but looked at K. earnestly, with sharp, acquisitive eyes. K. pretended not to notice her behaviour and asked, "Do you know Titorelli, the painter?" She nodded and asked in reply, "What d'you want to see him for?" K. thought it would be to his advantage quickly to find out something more about Titorelli. "I want to have him paint my portrait," he said. "Paint your portrait?" she asked, opening her mouth too wide and lightly hitting K. with her hand as if he had said something extraordinarily surprising or clumsy, with both hands she lifted her skirt, which was already very short, and, as fast as she could, she ran off after the other girls whose indistinct shouts lost themselves in the heights. At the next turn of the stairs, however, K. encountered all the girls once more. The hunchbacked girl had clearly told them about K.'s intentions and they were waiting for him. They stood on both sides of the stairs, pressing themselves against the wall so that K. could get through between them, and smoothed their aprons down with their hands. All their faces, even in this guard of honour, showed a mixture of childishness and depravity. Up at the head of the line of girls, who now, laughing, began to close in around K., was the hunchback who had taken on the role of leader. It was thanks to her that K. found the right direction without delay - he would have continued up the stairs straight in front of him, but she showed him that to reach Titorelli he would need to need to turn off to one side. The steps that led up to the painter were especially narrow, very long without any turning, the whole length could be seen in one glance and, at the top, at Titorelli's closed door, it came to its end.