The Trial

This door was much better illuminated than the rest of the stairway by the light from a small skylight set obliquely above it, it had been put together from unpainted planks of wood and the name 'Titorelli' was painted on it in broad, red brushstrokes. K. was no more than half way up the steps, accompanied by his retinue of girls, when, clearly the result of the noise of all those footsteps, the door opened slightly and in the crack a man who seemed to be dressed in just his nightshirt appeared. "Oh!" he cried, when he saw the approaching crowd, and vanished. The hunchbacked girl clapped her hands in glee and the other girls crowded in behind K. to push him faster forward.

They still had not arrived at the top, however, when the painter up above them suddenly pulled the door wide open and, with a deep bow, invited K. to enter. The girls, on the other hand, he tried to keep away, he did not want to let any of them in however much they begged him and however much they tried to get in - if they could not get in with his permission they would try to force their way in against his will. The only one to succeed was the hunchback when she slipped through under his outstretched arm, but the painter chased after her, grabbed her by the skirt, span her once round and set her down again by the door with the other girls who, unlike the first, had not dared to cross the doorstep while the painter had left his post. K. did not know what he was to make of all this, as they all seemed to be having fun. One behind the other, the girls by the door stretched their necks up high and called out various words to the painter which were meant in jest but which K. did not understand, and even the painter laughed as the hunchback whirled round in his hand. Then he shut the door, bowed once more to K., offered him his hand and introduced himself, saying, "Titorelli, painter". K. pointed to the door, behind which the girls were whispering, and said, "You seem to be very popular in this building." "Ach, those brats!" said the painter, trying in vain to fasten his nightshirt at the neck. He was also bare-footed and, apart from that, was wearing nothing more than a loose pair of yellowish linen trousers held up with a belt whose free end whipped to and fro. "Those kids are a real burden for me," he continued. The top button of his nightshirt came off and he gave up trying to fasten it, fetched a chair for K. and made him sit down on it. "I painted one of them once - she's not here today - and ever since then they've been following me about. If I'm here they only come in when I allow it, but as soon as I've gone out there's always at least one of them in here. They had a key made to my door and lend it round to each other. It's hard to imagine what a pain that is. Suppose I come back home with a lady I'm going to paint, I open the door with my own key and find the hunchback there or something, by the table painting her lips red with my paintbrush, and meanwhile her little sisters will be keeping guard for her, moving about and causing chaos in every corner of the room.